Mabyn
I have been in St. Mabyn on several occasions: in the course of walks, solo and with Jane; for lunch on several occasions at the excellent St. Mabyn Inn; and to photograph the church in September 2016 and in April 2019. Before entering, do look out for the Cornish Cross at the eastern end of the churchyard. The plan of this largely 15th and 16th century church is typically Cornish with nave, two aisles and a three stage pinnacled tower. As you enter, you are greeted (or, at least, I was) by a colourful St. Mabena banner where you might expect St. Christopher. Inside are three fine wagon roofs with carved bosses. Rood stairs remain intact though, of course, the rood loft is long gone. The font, which Pevsner suggests is of Purbeck stone, dates from Norman times. Sadly, chairs have replaced the pews so, in this instance no chance of any carved bench ends, though the choir stalls are attractive. The Norman font is of Purbeck stone. An attractive pulpit may be of Portland stone. A credence table has a 16th century panel which Pevsner suggests is from an earlier pulpit, though the church's website disagrees. The east window, though Victorian, is in 16th century style and there are fragments of medieval glass in the aisle windows.
St. Mabyn Choir Stalls
Cornish Cross
St. Mabyn Stained Glass
St.
Photographs
More in Churches & Holy Sites
Madron, St. Maddern
Madron lies a little to the north of Penzance, just off the road to Bosullow Common, Lanyon Quoit, Men-an-Tol and Nine Maidens Common. As you drive through you are hard put to decide where to park but, if you head for the church and school, there is ample parking. There is more here than just an impressive church, within the churchyard are two impressive memorials - a great mausoleum to Rose Price and a globe-bestriding statue with an unreadable dedication - and two Cornish Crosses (there are two others nearby). Inside, the roofs have carved wooden bosses, there are two attractive screens and the south chapel has an alabaster plaque of saints and some ancient bench ends topped by beasts. High on a wall is the "Nelson Banner", carried in the procession that celebrated Nelson's victory at Trafalgar. In addition to the two Cornish crosses in the churchyard, there are two others nearby, one in a field to the south of the church at 45436/31503, the other on a lane near Madron Well and Chapel, at about 44512/32541. Well and Chapel are worth visiting, the former a spring identified by trees adorned with strips of cloth, interceding for family or friends, the latter substantial but roofless. Both sites are cared for by the admirable Cornwall Heritage Trust. Nearby is the National Trust's lovely Trengwainton Garden.
Maker and the Rame Peninsula
In July 2017 I had an outing to the Rame Peninsula in far south-east Cornwall. My purpose was to visit churches in five villages altogether: Antony, St. John, Sheviock, Maker and Rame. I found the churches in Antony and St. John closed but found plenty of interest in the other three. Maker church stands isolated, except for a lodge cottage, high above Mount Edgcumbe Park. It is a substantial building with pinnacled tower, nave, two aisles and an additional Edgcumbe family chapel attached to the south aisle. Ceilings are of the Cornish "wagon" type; the nave one being quite elaborate. The Norman font was originally at St. Merryn (I wonder how it came here). Best of the Edgcumbe monuments is that of 1752 to Richard Lord Edgcumbe. In the nearby former Maker Barracks a Nissen hut houses the excellent Canteen restaurant; we have enjoyed meals there on many occasions. There is ample parking near Maker church and access to the vast Mount Edgcumbe Estate, where we have enjoyed many good walks and the occasional meal in the Edgcumbe Arms, the Orangery or the cafe by the house. Rame church is a little less isolated; nearby are the Old Rectory and Rame Barton and Penmillard farms. The church is built of rough slatey stone and, unusually for Cornwall, has a broach spire. An Ashton memorial dates from 1677. Screen and wooden pulpit are well carved. A rood, relatively unusual for Cornwall, stands atop the screen. Not far away, at the furthest point the Rame Peninsula, a small Norman chapel stands on a 330 foot point with superb views in both directions. Sheviock church is in the middle of the village, opposite it the Rectory. Much of the building is of the 13th and 14th centuries but, unfortunately the tower has been grey plastered. Inside, tombs of a knight and a lady, probably of the Courtenay family, are late 14th century, A brass cross commemorates Alphonse Charles de Morel. There are some fairly elaborate carved bench ends.
Manaccan, St. Manacca's Church
Although the Lizard is the best part of an hour and a half's journey from Wadebridge I decided it was high time I visited and reported on several churches down there. I was in Manaccan and St. Anthony in mid February 2019. In addition to these I propose to report on Mawgan in Meneage and St. Martin-in-Meneage. An odd word "Meneage", it means "Monk's land" so would have been the property of a monastic settlement. Manaccan is a pleasant small village on a hill not far from the eastern end of Gillan Creek. At one time the village had pub, shop and post office. All closed in 2014 but, in a remarkable show of co-operation, the villagers got together to save and re-open the pub. After some more ups and downs, the New Inn is open again and is a pleasant spot, serving good food; on an adjacent wall are mounting steps. A couple of hundred yards away is St. Manacca's church. The first thing you notice is a fig tree growing out of the west end of the south wall, believed to be 250 years old and surely unique in Cornwall. The next thing you notice is the unusual south doorway, essentially Norman although the arch above has been remodelled. Inside is a plain font, believed by Pevsner to be a late-medieval copy of a Norman original. Stained glass appears medieval but is late Victorian. A simple pulpit may be 20th century. In the chancel two chairs are made from 15th century timber, taken from the former rood screen. A surprise is the carved and colourful ceiling bosses, undoubtedly modern since they include a butterfly and a terrier.